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Sun, Nov 10 07:00 PM
Composition in the Style of La Monte Young's 1960 Sustained Friction Sounds -
Thu, Dec 12 07:00 PM
Perspectives for La Monte Young -
Fri, Dec 13 07:00 PM
Perspectives for La Monte Young -
Fri, Dec 20 07:00 PM
Seven (on Walter De Maria Instrument for La Monte Young)
About this event
CONCERT SERIES
IN CELEBRATION OF
LA MONTE YOUNG'S 89TH BIRTHDAY YEAR
THE MELA DREAM HOUSE'S 31ST YEAR
MELA is pleased to announce a series of four concerts to celebrate both the 89th birthday of La Monte Young (born 14 October 1935) and the 31th consecutive year of the MELA Dream House sound and light environment at 275 Church Street, New York City. 89 and 31 are both prime numbers, and prime numbers (as manifested in the musical domain by numerically expressible frequency relationships among two or more “well-tuned” sounds) have been an elemental source of inspiration for Young throughout his career as a composer.
Program 4
Jung Hee Choi
Seven (2024)
on
Walter De Maria
Instrument for
La Monte Young (1966)
Composed and performed by Jung Hee Choi
using Walter De Maria's sculptural Instrument for La Monte Young
with real-time digital processing on an algorithm by Jung Hee Choi
December 20 and 21, 2024 at 7 pm
MELA Foundation Dream House
275 Church Street, 3rd Floor, New York
Program 4 will similarly showcase another period instrument and another set of associations, with Jung Hee Choi performing solo on the Instrument for La Monte Young, an audible sculpture designed and built in 1966 by Young’s long-time colleague, Walter De Maria (1935-2013). Consisting of an oblong rectangular metal box encasing a rolling metal ball and with contact microphones to amplify the resonant sonorities generated by the ball as it moves back and forth, De Maria’s Instrument was directly inspired by Young’s intense interest in the properties and potentials of friction as a musical phenomenon. In her piece (entitled Seven for its focus on the seventh harmonic as the primary thematic and formal element) Choi will route the tactile sounds of the Instrument through a modern digital processor governed by an algorithm of her own devising.
These concerts make up Program 4 in a four-part celebratory concert series. For a complete listing of all programs, see MELA's website. Season passes are available for $89 and include admission to all concerts. Direct links to tickets for the additional programs are below.
Program 1
La Monte Young
Studies in the Bowed Disc (1963)
on
Robert Morris
Gong for La Monte Young
November 2 and 3, 2024 at 7 pm
• • •
Program 2
Jung Hee Choi
Composition in the Style of
La Monte Young's
1960 Sustained Friction Sounds (2000)
Novmeber 10, 2024 at 7 pm
• • •
Program 3
Richard Maxfield
Perspectives
for
La Monte Young (1961-62)
December 12 and 13, 2024 at 7 pm
MELA's programs are made possible with public funds from the New York State Council on the Arts, with the support of the Office of the Governor and the New York State Legislature, and generous contributions from individuals and MELA Members.