Seven (on Walter De Maria Instrument for La Monte Young)

Sat, January 18, 2025 — 7:00 PM

Tickets

General Admission

$51.79
(incl. 2.79 fee)

MELA Members, Students, Seniors

$41.33
(incl. 2.33 fee)

Delivery method

A processing fee of $0.49 will be applied to paid orders.

Location

Dream House

275 Church Street
New York, New York 10013

About this event

CONCERT SERIES
IN CELEBRATION OF

LA MONTE YOUNG'S 89^TH BIRTHDAY YEAR
THE MELA DREAM HOUSE'S 31^ST YEAR

MELA is pleased to announce a series of four concerts to celebrate both the 89th birthday of La Monte Young (born 14 October 1935) and the 31th consecutive year of the MELA Dream House sound and light environment at 275 Church Street, New York City. 89 and 31 are both prime numbers, and prime numbers (as manifested in the musical domain by numerically expressible frequency relationships among two or more “well-tuned” sounds) have been an elemental source of inspiration for Young throughout his career as a composer.

Season passes are available for $89 and include admission to each concert series. Purchase season passes HERE.

The music on the four programs emerges from the historically crucial period during the middle of the twentieth century (coinciding with La Monte Young’s years as a student and budding master) when certain like-minded musicians—trained in the Western tradition but working under a novel aesthetic aegis famously expressed by Edgard Varèse as “the liberation of sound” and by John Cage as “letting sounds be themselves”—first began to move beyond the limits of a fixed-pitch scale system, to recognize and explore the musical properties inherent in everyday sounds (in other words, "noises”). The series also celebrates the spirit of shared purpose and collaboration in that ecosystem, made tangible in the fruits of creative relationships that are sometimes mentor-to-student (as between Richard Maxfield and La Monte Young or between Young and Jung Hee Choi) and sometimes peer-to-peer (as with Young and his fellow avant-garde travelers Robert Morris, and Walter De Maria). By no means is that history over, however: While each concert is an “event” in the conventional sense, we can—as we contemplate the contributions, influences, reactions, and counter-reactions of these independent artists at independent moments in time—gain a palpable sense of history as a living organism, unfolding over periods of years or even decades.

Program 4

Jung Hee Choi
Seven (2024)
on
Walter De Maria
Instrument for
La Monte Young (1966)
Composed and performed by Jung Hee Choi
using Walter De Maria's sculptural Instrument for La Monte Young
with real-time digital processing on an algorithm by Jung Hee Choi
December 20 and 21, 2024 at 7 pm

MELA Foundation Dream House
275 Church Street, 3rd Floor, New York

Program 4 will similarly showcase another period instrument and another set of associations, with Jung Hee Choi performing solo on the Instrument for La Monte Young, an audible sculpture designed and built in 1966 by Young’s long-time colleague, Walter De Maria (1935-2013). Consisting of an oblong rectangular metal box encasing a rolling metal ball and with contact microphones to amplify the resonant sonorities generated by the ball as it moves back and forth, De Maria’s Instrument was directly inspired by Young’s intense interest in the properties and potentials of friction as a musical phenomenon. In her piece (entitled Seven for its focus on the seventh harmonic as the primary thematic and formal element) Choi will route the tactile sounds of the Instrument through a modern digital processor governed by an algorithm of her own devising.

These concerts make up Program 4 in a four-part celebratory concert series. For a complete listing of all programs, see MELA's website. Season passes are available for $89 and include admission to all concerts. Direct links to tickets for the additional programs are below.

Program 1
La Monte Young
Studies in the Bowed Disc (1963)
on
Robert Morris
Gong for La Monte Young
November 2 and 3, 2024 at 7 pm

• • •

Program 2
Jung Hee Choi
Composition in the Style of
La Monte Young's
1960 Sustained Friction Sounds (2000)
Novmeber 10, 2024 at 7 pm

Tickets →

• • •

Program 3
Richard Maxfield
Perspectives
for
La Monte Young (1961-62)
December 12 and 13, 2024 at 7 pm